Before Class 03/17/10

At the end of the 19th century there was a push, vision, and hope for a new direction in the arts. People and artists questioned the philosophies, rules, and styles of old and sought out new inspirations. There were many many influential people in this period who helped further these ideas. One of the most notable figures was the American architect Frank Llyod Wright. He became known for his ideas about architecture, and how ones "living space" should be approached. He believed that the most important part of the house was the inside, and how it would be functional to the individuals living there as a place of work, play, and relaxation. He was influenced by Japancese designs and looked for "a model of harmonious proportion and visual poetry." He was also influenced by geometric and mathematical designs of pre-colombian architecture. Straight lines, and evenly spaced proportions were important to him. He also valued white and blank space. As a printer, in his basement he recognized the importance of careful layout, design, and execution. He became known across Europe especially to the Glasgow school of Art in Scotland. Four scholars, who became known as "The Four" were especially fond of his vision. Charles Mackintosh, Herbert McNair, Frances & Margaret Macdonald all colaborated and shared ideas of this movement. They produced works with "lyrical originality, and symbolic complexity." Floral designs, mystical, and religious symbols were all employed by these designers. Bold, and simple lines were typical of their flat-color posters. The simplicity and "fairy-tale" imagery was a complete change for the busy, elaborate, and ornate styles of years past. Their ideas spread across Europe to Vienna. However, they were not always welcomed. "The Four" and the Creative Artist's Association in Vienna all had to fight to get their works on display. Painter Gustav Klimt led the revolt in Vienna. In Vienna much of their imagery was found in Greek mythology. After Glasgow, Vienna became an area of importance and "creative innovation." The Secession artists used more borders and headpieces than the Glasgow people,but they still maintained the simplistic and clean layouts the movement believed in.
I would be curious to know more about the influence this movement had on nursery rhymes. When I see many of the pictures, they often remind me of children's stories.